Walt Whitman’s “Song of Myself ” examines the spiritual indivisibility of life through the narration of an all-seeing poet character. The speaker, who calls himself “Walt Whitman” (Whitman 499), exposes himself to the perspectives of the living world in order to present his listener with the gift of unadulterated, empathetic consciousness. Throughout the free-verse poem, Whitman consistently employs direct address and the cataloguing of living personas in short vignettes. His use of these devices establishes a sense of transcendental unity for his audience and is intended to help his audience grow to be conscious in the way that the speaker is. However, Whitman’s choice to directly transform the way his audience empathizes with the living w...
In this paper, the author examines Czesław Miłosz’s poetic dialogue with Walt Whitman on the ambival...
The influence of Ralph Waldo Emerson on Walt Whitman's Leaves of Grass is well known; equally well k...
Identifies "a recent trend in Whitman criticism" that emphasizes the poet\u27s orality, but which "g...
This oral presentation investigates pronoun choices and environmental imagery in Walt Whitman’s Song...
This thesis proposes a unified theory for reading and interpreting Leaves of Grass (1891-92), by Am...
Explores how Whitman defined issues of class in his poetry in an effort to address the working peopl...
Offers an in-depth reading of Whitman\u27s Poem of the Road ( Song of the Open Road in post-1860 ...
Explores how Whitman defined issues of class in his poetry in an effort to address the working peopl...
Thesis advisor: Robert KernIn this paper, I argue that Walt Whitman alters his poetic program from h...
E.M. Forster may have best described Walt Whitman\u27s prevailing optimism in the following passage:...
Walt Whitman was a Long-Island born poet who is most notably known for Leaves of Grass (1855), a wor...
Argues that an inadequately investigated feature of Whitman\u27s poetry is the "preacherly performan...
In this paper, the author examines Czesław Miłosz’s poetic dialogue with Walt Whitman on the ambival...
Whitman's poetry is a rich subject for psychoanalytic interpretation and this has always had a uniqu...
Whitman portrays his poetic self in overwhelmingly celebrating terms in “Song of Myself.&rdquo...
In this paper, the author examines Czesław Miłosz’s poetic dialogue with Walt Whitman on the ambival...
The influence of Ralph Waldo Emerson on Walt Whitman's Leaves of Grass is well known; equally well k...
Identifies "a recent trend in Whitman criticism" that emphasizes the poet\u27s orality, but which "g...
This oral presentation investigates pronoun choices and environmental imagery in Walt Whitman’s Song...
This thesis proposes a unified theory for reading and interpreting Leaves of Grass (1891-92), by Am...
Explores how Whitman defined issues of class in his poetry in an effort to address the working peopl...
Offers an in-depth reading of Whitman\u27s Poem of the Road ( Song of the Open Road in post-1860 ...
Explores how Whitman defined issues of class in his poetry in an effort to address the working peopl...
Thesis advisor: Robert KernIn this paper, I argue that Walt Whitman alters his poetic program from h...
E.M. Forster may have best described Walt Whitman\u27s prevailing optimism in the following passage:...
Walt Whitman was a Long-Island born poet who is most notably known for Leaves of Grass (1855), a wor...
Argues that an inadequately investigated feature of Whitman\u27s poetry is the "preacherly performan...
In this paper, the author examines Czesław Miłosz’s poetic dialogue with Walt Whitman on the ambival...
Whitman's poetry is a rich subject for psychoanalytic interpretation and this has always had a uniqu...
Whitman portrays his poetic self in overwhelmingly celebrating terms in “Song of Myself.&rdquo...
In this paper, the author examines Czesław Miłosz’s poetic dialogue with Walt Whitman on the ambival...
The influence of Ralph Waldo Emerson on Walt Whitman's Leaves of Grass is well known; equally well k...
Identifies "a recent trend in Whitman criticism" that emphasizes the poet\u27s orality, but which "g...